Alienation
ink - textile - idol -
ritual - lines - black and white
- family - belonging
Series of large scale ink drawings ( 80*350 cm), created in Warsaw in May 2025,
illustrating my practice and idea to use paintings as cover or skin, while reflecting
the site-specific context with the narrative of drawing itself.
The idea of this cicle came during a time I was spending on this beach with my family.
This sandy island in the middle of Vistula river is my happy place, I discover it while exploring
river area and always inspired by its white sand and tropical look.
I made this drawing specificly for this island, trying to imagine how
the perfect inhabitants for this place can look like.
fence
textile paint - wind - sand
- east - west - ornament -
West art as traditional figurative painting
East art is abstraction - ornaments, colours, geometry.
Crate as a symbol of undeniable separation of two civilisation concepts
within one beachcost in Tunis.
Niti, acryl on cotton, 150*250 cm
eco aspect of art production -
plastic - pollution - war in my motherland - widow - wind - black - grief - funeral.
starting point of my work was to concentrate on the ecological side
of art production and rethinking of what art work is in times of overproduction,
overconsumption and ecological crisis.
Widow
plastic, digital photography, Spain, 2022
Work created in collaboration with performance artist Anna von Siebenthal
kachō-ga (花鳥画)
textile paint - bird - flower
- plant - japanese -
ornament -symbolism
or bird and flower prints, were a popular genre of Japanese woodblock prints
that emerged in the 18th century. These prints depicted various species of birds
and flowers in naturalistic detail, often in the context of their natural habitats.
This are the begginings of series I am planning to keep working -
my interpretation of this idea, although not as prints,
but as marker drawing on textile, 80*150 cm
